At the outset, Ruben Östlund’s Force Majeure enraptures the viewer in the idyllic. A vacation in the French Alps taken by the perfect family: they weave and bob skiing down a hill in elegant athleticism; later, they take naps together in bed, and enjoy the pristine containment of harmony in their hotel room. Perhaps the… Continue reading Force Majeure: avalanches, deconstruction, and clean slates
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